Showing posts with label tuneoftheweek. Show all posts
Showing posts with label tuneoftheweek. Show all posts

Friday, 22 May 2020

Tune of the Week - No.11 - 22.05.20

With so much wonderful music knocking around here in the Abstract studio, we thought we'd take the opportunity to showcase a few very special items that are close to our hearts. Our choices for Tune of the Week may be fresh through the door, or decades old - our aim is that they will always epitomise the ethos of AbstractRadio...


Some time later...


Joi Cardwell - Trouble
Eight Ball Records - EB40




Ok, pay attention now, as we're only going to say this once.

We consider this little gem to be our favourite house track.
Ever.
And, to really put the cat among the proverbials, we also believe it to be one of the finest pieces of house music ever created.

Released way back in '95 when NY garage quite rightly ruled the roost, "Trouble" was an underground favourite that never quite crossed over to become a genuinely major club hit.
Now, 25 years on and, franky, it's sounds just as valid, vibrant, poignant, beautiful and timeless as before, and continues to crap over the competition from a humongous height.

Some of you might not understand or appreciate quite why this is so wonderful.
We mourn for thee.

And we never play it "out".
Why, we hear you ask?
Well, honestly, no one really wants to see grown men cry.



Here's the vid:

Oh, almost forgot - the Deep Dish remix is pretty fucking special as well:

Wednesday, 5 April 2017

Tune of the Week - No.10 - 05.04.17

With so much wonderful music knocking around here in the Abstract studio, we thought we'd take the opportunity to showcase a few very special items that are close to our hearts. Our choices for Tune of the Week may be fresh through the door, or decades old - our aim is that they will always epitomise the ethos of AbstractRadio...


It's been a long time, but boy has it been worth the wait...


Jill Scott & Terry Hunter - I'm Coming To You - House N' HD Terry Hunter & Mike Dunn Soulfrica Mix -
T's Box Records TB060


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Released in mid 2016, and stuffed away on the backside of a digital-only remix package, this slice of joy almost slipped under the radar. And what a loss that would be, as it's easily the best thing we've heard in donks.

Crafted by Terry Hunter [and what a fine job he does], full of delicate rising chords, sublime backing voices, crisp yet slightly off-kilter beats and the powerful vocal talents of Ms Scott, this uplifting little ditty has been an end-of-night drop since someone left it at the draw-bridge here at AbRad Towers.

Unfortunately, it's a wonder if this will ever get the airplay and recognition it deserves. For instance, despite being an absolutely glorious anthem, it's not currently on y-tube [at time of writing].

But, fear not, dear listener, for we are here to rectify such catastrophic errors - well, as much as humanly possible.

And thus, we declare...


"I'm almost there!"

What a gem.


Sorry, there is no video.
Yes, it is a disgrace.

Friday, 13 May 2016

Tune of the Week - No.9 - 12.05.16

With so much wonderful music knocking around here in the Abstract studio, we thought we'd take the opportunity to showcase a few very special items that are close to our hearts. Our choices for Tune of the Week may be fresh through the door, or decades old - our aim is that they will always epitomise the ethos of AbstractRadio...


And welcome back to our continuing search for aural excellence...


Milk & Sugar ft. Nomfusi - Heat (African Day) - Sandy Dae Mix -
Enormous Tunes ETR308


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Coming to an AbRad Session near you soon, here's our latest tune of the ... well, you can insert your own appropriate time-frame here [we suspect you're not all sitting on the edge of you collective seats awaiting our Tunes of the Week].

Featuring the silky vocals of South African chanteuse Nomfusi, Heat tells a tale of pastoral existence; collecting wood to make a fire, grinding flour for bread, taking water from the near-by river - no story of urban life and love here. In fact, she may well be camping, though we suspect not. Some of her lyrics remain unclear to us here at AbRad mansions, but frankly, she had us after the lines:
    "Wake up in the morning, I was feeling kind of cold so I decided that I'd go and get some heat. Chopping at the wood so I can take it home with me so I can get the fire started for me tea."

    [It's her pronunciation of "tea" that gets us - just exquisite!].


Milk and Sugar of course require very little by way of introduction - they've been knocking out cracking house tunes for decades, but the accolades here go to the remix duties carried out by relative newcomer Sandy Dae. She's added a cracking little bassline to the original, plus a couple of fat breaks, and has tightened the track up a fair bit, delivering a really fantastic floorfiller.

Go on, get some heat.



Here's the vid:

Wednesday, 21 October 2015

Tune of the Week - No.8 - 20.10.15

With so much wonderful music knocking around here in the Abstract studio, we thought we'd take the opportunity to showcase a few very special items that are close to our hearts. Our choices for Tune of the Week may be fresh through the door, or decades old - our aim is that they will always epitomise the ethos of AbstractRadio...


Time to dip your toes once again into the deep, dark pool of modern house music.


Sweed feat. Jalana
- Finally - Lexer Remix -
Deepalma Records DPLM039


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As found nestling right at the heart of our latest session [what do you mean you haven't listened to it yet?], Sweed's "Finally" comes with a variety of [re]mixes - we're heading straight for Lexer's rather fine contribution.

This track is in no small way influenced [ioho] by the recent classic "mashup": Art of Tones feat FCL - "It's You c/w Elephants" - this is not a bad thing at all, as "It's You" is another massive fave here at AbRad.

Mr Lexer has shifted away a fair bit from his standard electronc fare and delivers a great interpretation of Sweed's song. Smooth synth sounds underrpin Jalana's sweet vox., eliciting a suitably emotional ride running through the heart of the track.

Taking the original into account, this is a damn fine remix.



Here's the vid:

Wednesday, 1 July 2015

Tune of the Week - No.7 - 1.07.15

With so much wonderful music knocking around here in the Abstract studio, we thought we'd take the opportunity to showcase a few very special items that are close to our hearts. Our choices for Tune of the Week may be fresh through the door, or decades old - our aim is that they will always epitomise the ethos of AbstractRadio...


When deciding on a new t-o-w, there's much to consider. With a whole pile of cracking tunes to choose from, all with their own distinctive merits, choices often become complicated - we want to give everything we like some accolade, but there can only be one.

One method we employ here at AbRad Towers is to ask the question: "OK, so you obviously rate it now, but how do you think it will sound in six months time? Or six years even?".

Sometimes it is necessary to block out the immediacy of a piece of music to determine its true quality. Tracks can be instantly appealing, grabbing your attention and filling dancefloors, but there's a good chance that sometime down the line that catchy hook will become an annoyance; transformed almost overnight from fresh floor-filler to jaded cliche. For some, this happens the moment a track hits the mainstream - it's hard to be credible to the cool set if M&S are using it to sell life-style choices. For others, the sound becomes dated, or simply over played.

So, this question of judgement is not merely one of: "Is it in the box?", but more "How long does it stay in the box?".

And then, every once in a while, there's "How did we possibly manage to survive for so long without this being in the box?", which brings us rather nicely to ...


Art of Tones
- The Rainbow Song -
Local Talk Records LT060


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Annoyingly gifted Paris-based Ludovic Llorca has been tearing them off for quite some time now, producing a fair number of AbRad faves, including the wonderful The End (under his own Llorca moniker), as well as numerous Art of Tones productions including Elephants (more on this another time) and his brilliant rework of La Fleur's Kattflickan. With "The Rainbow Song" he's back on Swedish based Local Talk Records, which makes this the second swedish AbRad t-o-w in a row. Utomordentlig!

Why do we rate "The Rainbow Song" so highly? Genuinely, what's not to like? Firstly, there's that filthy little bass-line - more than dirty enough to catch the ears of lovers of all things deep, but still keeping things all ship-shape and funky fashioned. There's also the clever use of a vox sample, lifted, we believe, from Musique's "In The Bush" (it's fairly hard to tell seeing as it's been mucked around with so much). Under this there's a summer-drenched keyboard groove pulsing along, effortlessly pushing those feel-good vibes to the max. And finally, there's those pesky cowbells.

Frankly, it's really hard to resist a good cowbell, and this is a pretty good cowbell.

Nice one Ludo, we're looking forward to having many years of fun with this.

Moooo!



Here's the original

Sunday, 26 April 2015

Tune of the Week - No.6 - 25.04.15

With so much wonderful music knocking around here in the Abstract studio, we thought we'd take the opportunity to showcase a few very special items that are close to our hearts. Our choices for Tune of the Week may be fresh through the door, or decades old - our aim is that they will always epitomise the ethos of AbstractRadio...


... and we're back.

With a sizeable stack of tunes to get through, it's no surprise that there are plenty of runners for the latest installment of t-o-w. All in all, it was very a close-run thing, but after much debate, ladies and gentlemen, put your hands in the air for:

Drop Out Orchestra feat Yvette
- I Got It H.I.M.W.O.L Remix -
Peppermint Jam Records PJMS 0817



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Drop Out Orchestra are (allegedly) a Swedish collective with a bit of penchant for 80's disco. As you are probably aware (unless you have been installed in a cave), reworked disco tracks are all the rage these days - we're pretty fond of them ourselves - and the fjord dwelling DOO have been cutting a swathe through this particular genre for a number of years, with a haul of remixes under their belts, as well as their own releases on Drop Out Sounds.

However, "I Got It" is a bit of a departure from their standard output. To start with, it's on Peppermint Jam records and so, as expected for a label run by Mousse T, this is squarely on a house tip. (Yes, of course we know PJR release all sorts of other stuff, but they're best known for knocking out quality, albeit fairly mainstream, house music).

The full release comes with four mixes, but we recommend you head straight for the H.I.M.W.O.L. remix, for this is where the magic lies. Here, Australian Glen Dichiera (himwol) has stripped down, refined and reworked the original into an almost unrecogniseable early nineties barnstormer of a track, clearly paying tribute to the classic east coast sound and delivering a slice of soul-drenched heaven that would have seen them bouncing off the walls at the Sound Factory (bar or club) back in the day.

Actually, there's not too much to the excellent "I Got It". Sultry filtered keys slowly build up over solid beats to a single, rather lengthy (72 second long) break, and then it's off again.

Ah, dear reader, but what a break it is: full of Joey Negro-esque washes, and with what sounds suspiciously like a tiny sample from Rhythim Is Rhythim's Strings of Life drifting through it, Yvette's voice floats serenely over the top until the drop, at which point she, er, belts it, and the house summarily goes loopy.

So, to recap: keys, beats, washes and vocals - house music sounds so simple really, but it is rarely done as well as this.
Brilliant, excellent and altogether rather wonderful.

Thanks himwol, more please.



Friday, 27 February 2015

Tune of the Week - No.5 - 26.02.15

With so much wonderful music knocking around here in the Abstract studio, we thought we'd take the opportunity to showcase a few very special items that are close to our hearts. Our choices for Tune of the Week may be fresh through the door, or decades old - our aim is that they will always epitomise the ethos of AbstractRadio...


Right, that's quite enough house music for the time being,
why not have something from the vaults instead?

Bettye Lavette
- Let Me Down Easy - Calla 102



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Though recorded prior to her signing with Motown, "Let me down" stands as probably Bettye's biggest hit. That said, it carries many of the hallmarks of a typical Motor City production from that era, with lush strings, stripped percussion and an absolutely huge vocal presence, packed with drama and longing.

Apart from being a rather phenomenal slice of sultry soul, we've chosen this as our latest tune of the week for a couple of other reasons. Firstly, the original release is 50 years old this year (2015), which deserves a mention in dispatches at the very least - of course, some sort of party would probably be a more appropriate gesture. And despite celebrating its golden anniversary, we think "Let me down" has aged rather well over the years, especially when compared to Mary [expletive deleted] Poppins and The Sound Of [expletive deleted] Music (both also from 1965).

The second reason, admittedly a rather tenuous one, is related to one of a number of gorgeous disco edits that have been keeping us happy here, deep down underground in the Abstract Studio. The track in question is, rather unsurprisingly, also called "Let Me Down Easy", by 78 Edits, and features a similar version of Lavette's classic, stretched out with beefed-up percussion and bass, a discrete bit of looping and the occasional judicious use of a subtle filter or two. All pretty simple stuff, but it works like a dream, like quite a fair number of Mr Edits' recent cuts.

More of them on page 94...



Here's the 1965 original

And here's the excellent 78 edits version



Tuesday, 13 January 2015

Tune of the Week - No.4 - 12.01.15

With so much wonderful music knocking around here in the Abstract studio, we thought we'd take the opportunity to showcase a few very special items that are close to our hearts. Our choices for Tune of the Week may be fresh through the door, or decades old - our aim is that they will always epitomise the ethos of AbstractRadio...


"Prokofiev, Stevie Wonder, Miles Davis,
John Coltrane, The Rolling Stones
... all at the same time."

Coeo
- Native Riddim -
Original and alternative mix
Toytonics TOYT028



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The long holiday break has never been the best time to release new material, so we have to profusely thank Toytonics for brightening up what would be an otherwise dreary time of the year with this absolute gem of a track.

Their website bio has little to say about the Coeo boys except that they're based in the Munich area and already have a couple of well received EPs under their belts. This, their latest release, demonstrates that, if nothing else, they also have a fond appreciation of classic house.
Native Riddim has two major components - firstly, a delicious groove wrapped around a sweet piano riff that has been (very) heavily lifted from an old-school Abstract favourite - the perpetually wonderful
Reachin' by Phase II, who were the mighty Blaze recording under a different guise.

The second part of note is the spoken word interview snippet appearing in the break half-way through the track, where Patrice Rushen elaborates on her musical influences, name-checking the sort of eclectic roster we would be proud to present here on AbstractRadio.

The flip features a pretty fine alternative version, with a different piano groove also reminiscent of something from times gone by - sadly, after quite a significant amount of head-scratching, we haven't been able to identify what it is as of yet.

So, a 25-year old piano sample and some bird wittering on about her daddy's record collection - doesn't really sound like much? Well, we dropped this to a packed room on NYE, and the place went suitably ballistic.
And frankly, we weren't surprised.

A lovely start to the year - here's hoping there's many like this to follow.

Happy new year folks.



Here's the original

And here's the alternative version

And here's the original vocal sample



Monday, 10 November 2014

Tune of the Week - No.3 - 9.11.14

With so much wonderful music knocking around here in the Abstract studio, we thought we'd take the opportunity to showcase a few very special items that are close to our hearts. Our choices for Tune of the Week may be fresh through the door, or decades old - our aim is that they will always epitomise the ethos of AbstractRadio...

After a small hiatus, here's our third tune of the week:

DJ Mark Brickman
- Rhythm Is Love -
Original and remixes
Rambunktious Miami RB009 - 2013/14



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A couple of mixes here for your perusal, both squarely on the house tip, with the original bearing all the hallmarks of quality vocal house, while the remix delves into a deeper, dubbier world. So, not a particularly ground-breaking premise then. And yet, these two tracks still manage to stand out from the crowd. So what makes them special? Well, to start with, this is exceptionally well-made music, sounding pretty fresh within a genre which has been well worn over the last two decades.

First up, from earlier this "summer" (and we use the term in its loosest sense) is the rather excellent "God Gave Us Rhythm" remix. It's deep, it's catchy, it has sexy soulful vocals, it builds; it's brilliant dance-floor fodder. There's also a picture of a lovely looking lady on the sleeve. If, like us, you heard this first, before you had a chance to catch the original, then you'd also quite likely be making it your tune of the week on its own merit (assuming of course that you too indulged in the same self-involved, asinine, fatuous practice of having a "tune of the week").

Which brings us on to Brick's Main vocal (the original mix), released back in those fondly remembered halcyon days of 2013.
Actually, this starts out pretty tamely until the first piano break, where it then it picks up a bit of momentum, utilising the excellent uplifting vocals to build up a decent slice of dancefloor pressure. As an individual track, it's not going to change your outlook on life, but here's where the magic lies - individually, both these tracks are pretty good, strong material as they say, but stick 'em together, and you have a potential riot on your hands - and yes, we'll try and post this little blend for you as soon as...



Here's the original

And here's the remix



Monday, 6 October 2014

Tune of the Week - No.2 - 5.10.14

With so much wonderful music knocking around here in the Abstract studio, we thought we'd take the opportunity to showcase a few very special items that are close to our hearts. Our choices for Tune of the Week may be fresh through the door, or decades old - our aim is that they will always epitomise the ethos of AbstractRadio...

Our second tune of the week? So, no pressure then...

"Hello?"
"British Rail?"
"Can I please reserve a first class weekend return ticket for:"

Jessica Lauren Four featuring Jocelyn Brown
Happiness Train - Miss Marple Edit
Freestyle Records FSR096 - 2012



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There are a couple of takes of this knocking about - we're choosing the shorter "Miss Marple" edit for no better reason than that we think it's a bit quicker in getting to the action. The long version is great as well.

Leaving aside the "extreme major player alert" just for a moment, let's have a look at this track's other credentials - for those not in the know, Ms Lauren is (amongst so very many other things) the ivory-tinkling genius behind the vast majority of Dave Lee's (aka Joey Negro) club stormers on Z Records. For that alone she gets a prominent place in AbstractRadio's Hall of Fame (still under construction - we're having problems with the wiring and the plumber's taken a leave of absence). And then there's Ms Brown, who needs absolutely no introduction whatsoever and simply owns the place.

This jazzy little number opens up in the humble origins of a railway yard, with basic percussion and some atmospheric trains sounds. Then Jessica lays down a cool, slowly building piano riff before Jocelyn joins in with some sultry, laid back vocals. So, no great surprises so far - everything is running on-time and as it should be, snacks are being served in the buffet carriage. Ah, but did we not mention the word "building"? For build it indeed does, dropping through the gears until the runaway locomotive that is Ms Brown's vocal performance explodes onto the track, sending everyone ducking for cover.

So, it's cool, it's jazzy, it's has one of the world's greatest soul-stirring voices and it goes mad at the end - what's not to like?

Happiness Train - no leaves on the line here - woo-hoo!
(OK, that's quite enough train references).



Here's a live take - audio only

Here's another live take with video - sadly rather poor audio quality

- Footnote -
Check out "I Believe" from the same ep - it's equally wonderful


Wednesday, 24 September 2014

Tune of the Week - No.1 - 23.9.14

With so much wonderful music knocking around here in the Abstract studio, we thought we'd take the opportunity to showcase a few very special items that are close to our hearts. Our choices for Tune of the Week may be fresh through the door, or decades old - our aim is that they will always epitomise the ethos of AbstractRadio...

With our very first selection, we decided we really needed to stick our necks out and dig up from the vaults a piece of music that truly exemplifies the Abstract sound - something special, something that defies any easy form of categorisation, something that stands out in the crowd, makes a bold statement and stops you dead in your tracks in much the same way as being slapped squarely in the face with a fresh halibut.

Something a bit like this:

Producers For Bob - Discarnate Woman
reincarnated by coldcut assisted by PC
Ninja Tunes ZEN1213 - 1992



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One of Ninja tunes earliest releases - now some twenty plus years of age, relatively obscure (at time of writing, we could find one youtube post of this track, with 700 views), with absolutely zero commercial appeal and weighing in with a hefty running time of close to 12 minutes, this masterpiece is not exactly dance-floor friendly (unless you know what you're doing and already have the crowd in the palm of you hand).

It's a track in three parts - the first being on a cool house tip, with mellow synth stabs in a leisurely early balearic style. This then breaks down into an absolutely blistering slice of ravey breakbeat/techno, before finally meandering off into ambient trip-hoppy noodleness in the coda. Appearing all the way through are little snippets culled from "Bob's Talk Show", a bi-product of the somewhat off-kilter world of Bob Dobbs and the Church of the SubGenius.

Why have we chosen this little stunner, out of thousands, to be AbstractRadio's first ever tune of the week? It's not even close to being the greatest piece of music ever written (fyi: they were all composed hundreds of years ago by guys in high collars and wigs). It's probably not even the Ninja crew's finest hour - there are quite a few contenders for that title, many of which will no doubt be future tunes of the week. So why then? Very simply, it's an ever-so-crazy show-stopping work of pure genius, that's why.

What makes it so special to us here at AbstractRadio? It represents the almost limitless possibilities of modern music: it's not about house, breakbeat, ambient, jazz, soul or techno, it's all of these things. It's about breaking out of the mould of pigeon-holing, categorising and compartmentalizing the world into nice, neat, antiseptic, easy-to-digest packages. It's about resisting the all-encompassing and soul destroying homogenisation that is becoming the norm of our modern existence.

Anywho, we love it.

Thank you Matt, Jon and Patrick, for being big and boundless.



Watch a video of a nice discerning chap enjoying
the Discarnate Woman in the comfort of his bedroom


[can't imagine how we're going to follow this next week...]

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